Seattle, WA EMP brings viewers inside the ground-breaking story of one man, his music and the world that embraced him with the two-hour documentary special "Jimi Hendrix Voodoo Child,"
Share this *Alcoholocaust: (Meaning: The aftermath of a drinking party, usually resulting in every available horizontal surface being covered in empty booze containers, spilled beverages and a general sticky alcoholic residue.) Jim Jefferies, the globally renowned Australian stand-up, returns to Just For Laughs with his brand new solo show. Alcoholocaust includes some of Jim’s favourite wild antics over the past year. As always, his material is set in reality, which is what provides him with his trademark brutally frank style. Among other things, you will hear about a hilarious yet touching true story involving his friend’s severely disabled brother, plus Jim’s traditional pet peeves – religion & idiots.
Police Chief Jesse Stone, who was suspended by the Paradise, Mass. Town Council, begins moonlighting for his friend, State Homicide Commander Healy, by investigating a series of murders in Boston, leaving Rose and Suitcase to handle a crime spree in Paradise on their own. Jesse pours his energy into his work in an effort to push away his twin demons: booze and women. When his investigation leads to notorious mob boss Gino Fish, Jesse's pursuit becomes hazardous.
A thoughtful portrait of a renowned artist, this documentary shines the spotlight on New York City painter Jean-Michel Basquiat. Featuring extensive interviews conducted by Basquiat's friend, filmmaker Tamra Davis, the production reveals how he dealt with being a black artist in a predominantly white field. The film also explores Basquiat's rise in the art world, which led to a close relationship with Andy Warhol, and looks at how the young painter coped with acclaim, scrutiny and fame.
Johnny Knoxville, Bam Margera, Steve-O, Wee Man and the rest of their fearless and foolhardy friends take part in another round of outrageous pranks and stunts. In addition to standing in the path of a charging bull, launching themselves into the air and crashing through various objects, the guys perform in segments such as "Sweatsuit Cocktail," "Beehive Tetherball" and "Lamborghini Tooth Pull."
Docufactory's Is She or Isn't He? (2010) follows the transition process of New Zealander Graham to Ashleigh. Filmmaker Justin Pemberton spent five years with Ashleigh, who ultimately just wants to be a heterosexual woman loved by heterosexual man, as she meets with doctors and searches for her true identity. This documentary explores the intensive process, both physical and psychological, of figuring out who we are in the midst of social labels and judgments.
A socially shunned columnist finds his romantic match online, but messaging under the wrong account causes his sleazy roommate’s picture to be forwarded, creating an identity mix-up.
Invisible Empire is all conspiracy and no theory – proving beyond doubt how the elite have openly conspired to insidiously rule the globe via the engines of the CFR, the United Nations, the Trilateral Commission, and the Bilderberg group, which were born out of the historical Round Table groups first set up by Cecil Rhodes. The film traces the lineage of the evolution of global governance from Samuel Zane Batten’s 1919 manifesto New World Order, through to Hitler’s vision of a 1000 year Reich, to the modern incarnation of the conspiracy which has its roots in the evil deeds of people like George H. W. Bush, David Rockefeller and Henry Kissinger.
NGC goes inside one of the greatest natural marvels on the planet - a giant crystal cave described as Superman's fortress, with magnificent crystals up to 36 feet long and weighing 55 tons. A team of experts venture into the cavern, enduring scorching-hot temperatures that could kill a human after just 15 minutes of exposure. They'll push the boundaries of physical limitation to explore a crevasse that could lead to another - and perhaps more spectacular - crystal cave.
Every day, the world over, large amounts of high-level radioactive waste created by nuclear power plants is placed in interim storage, which is vulnerable to natural disasters, man-made disasters, and to societal changes. In Finland the world’s first permanent repository is being hewn out of solid rock – a huge system of underground tunnels - that must last 100,000 years as this is how long the waste remains hazardous.
Embark on an astounding journey across 100,000 light-years to witness key moments in the history of the Milky Way. Using cutting-edge science, National Geographic constructs a 3-D state-of-the-art CGI model of our galaxy. We'll peer into the heart of the Milky Way on the hunt for super-massive black holes, watch how stars are born and die, fly out and above the plane of our galaxy to understand its true shape and scour its dusty spiral arms for the possibility of life.
A film that exposes the shocking truth behind the economic crisis of 2008. The global financial meltdown, at a cost of over $20 trillion, resulted in millions of people losing their homes and jobs. Through extensive research and interviews with major financial insiders, politicians and journalists, Inside Job traces the rise of a rogue industry and unveils the corrosive relationships which have corrupted politics, regulation and academia.
Leslie Iwerks' documentary takes audiences behind the scenes at ILM with in depth interviews with some of the company's top talent and showcases never before seen footage highlighting many of their pioneering milestones. From creating the first ever computer generated character in a feature film to the latest advancements in visual effects for film franchises like Transformers and Iron Man, ILM has created some of the most memorable movie moments in recent history.
I'm Still Here is a portrayal of a tumultuous year in the life of actor Joaquin Phoenix. With remarkable access, the film follows the Oscar-nominee as he announces his retirement from a successful film career in the fall of 2008 and sets off to reinvent himself as a hip-hop musician. The film is a portrait of an artist at a crossroads and explores notions of courage and creative reinvention, as well as the ramifications of a life spent in the public eye.
Young, beautiful, talented Alexis Winston comes from nowhere to become a figure skating superstar. But her rise to stardom isn’t easy. She has to push herself, reinvent herself, and most painfully of all, leave her hometown boyfriend behind. When a tragic fall leaves her blind, she needs someone to believe in her, to love her; someone to convince her she has the strength to skate and dream again.
Written by comedian Peter Helliar, I LOVE YOU TOO stars Brendan Cowell as Jim, a 30-something emotionally stunted man whose inability to declare his love to his girlfriend, Alice, threatens to cost him the best thing he ever had but leads him to befriend a talented dwarf who helps him find the words to get her back.
Based on the real-life experiences of Mende Nazer, the story unfolds as twelve-year-old Malia, daughter of champion wrestler Bah, is abducted from her Sudanese village in the Nubar Mountains by pro-government Arab militia and sold into slavery to a woman in Khartoum, who beats her for touching her daughter. After six years she is sent to London, where her name is changed, but her miserable life of servitude continues. Her passport is taken and she is told that her father will die if she goes to the authorities. Fortunately she meets a sympathetic person who seems to offer her the hope of escape and reunion with Bah ,back in Sudan. For all the film's optimism an end title states that there are around 5,000 'slave' workers currently in Britain.
Through unprecedented backstage access and candid interviews, the film weaves through the absurd world of the working comedian and reveals a crazy and hilarious psychological profile of its practitioners. We also follow retired comic Ritch Shydner's attempt to climb back on stage after a thirteen-year hiatus. At the top of his game in the 1980's, Shydner had HBO specials, shot five pilot TV shows, and numerous late night appearances (Carson, Letterman, Leno, etc.) but the big time eluded him. Equipped with the collective wisdom and nutty musings of over 80 of his peers, he gives it another shot. Does Ritch have what it takes to connect with today's young crowds and still get the laughs?
