The story of Alex, a 16 year old teenager living with his grandma.He has various plans for the summer: writing a new song with his rock band, finding a job and having his first sexual experience. He also becomes aware that his grandma is increasingly dependent on him. As summer draws on, Alex realizes that things are going to change forever and that he will have to grow up and learn to say goodbye.

All seems well for Amadeo, a shy but talented foosball player who's in love with the free-spirited Laura. Trouble strikes when Grosso, the world's best soccer player, returns home with plans to destroy the village and turn it into a new sports stadium. When Grosso kidnaps Laura, Amadeo receives the ultimate surprise when the figurines from his foosball table spring to life to help him save his beloved and reclaim the town.

Ruth, a young researcher at a college, is invited to the weddings of three of her exes. She enlists the help of her assistant to find a companion for each wedding; will one of them turn out to be her soulmate?

Republican Teachers were some women who participated in the conquest of the rights of women and the modernization of education, based on the principles of democratic public school. This documentary through the recreation of a teacher at the time, and unpublished archival images, we discover the legacy that we have left the teachers Republican and has survived to this day.

Based on a true story occurred in 1974, this is the tale of sisters Justa, Lucia, and Luciana Quispe, sheperds in the Chilean altiplano who lead a solitary life. A visitor brings news about a law that might change their way of living. This event forces the women to question their existence and relentlessly brings them to a tragic end.

Bolívar was instrumental in Latin America’s struggle for independence from the Spanish Empire, and is today considered one of the most influential politicians and emancipators in American history. Libertador is told from the viewpoint of Bolívar, portrayed by Ramírez, about his quests and epic military campaigns, which covered twice the territory Alexander the Great conquered, and his vision to unify South America.

Cuba is not a country for young gays. Teen rent boy Reinier falls in love with a mate in the slum soccer field in their neighbourhood in Havana. Although obsessed with moneymaking to hold up his baby, teen wife, and wife's grandma, gambler Reinier always fails to get the stroke of luck he looks for. At the same time he cannot help being infatuated by Yosvani. Handsome Yosvani will give up his older, wealthy girlfriend (whom he hooked up to pay for a lavish life in the big city), and the work he does for her father, a loan thug, so much in love he is with Reinier. But the boys would fight hard to keep this love in the reckless Havana streets.

A mysterious epidemic spreads across the planet. Humanity develops an irrational fear of open spaces that causes instant death. Soon, the world population is trapped inside buildings. As Barcelona descends into chaos, Marc sets off on a quest to find Julia, his missing girlfriend, without ever going outside.

Miguel makes the journey that his grandfather cannot make because he is locked up by his own family. The mission is very simple, go to a funeral and leave an army jacket on the grave of an old man, a friend of his grandfather. Miguel, accompanied by Lola and Guillermo, leaves that island of cement that is the Nazareth neighborhood. He wanders the outskirts of Valencia, looking for a cemetery and faces a deserted city.

The story of Dulce, a mother who has encounters with apparitions inside her old house. She must decipher a mystery that could trigger a prophecy: the death of her family.

A group of Central-American teen-agers depart from the slums of Guatemala City escaping poverty and violence, towards the promised land of California.

Patagonia, 1960. A German doctor meets an Argentinean family and follows them to a town where the family will be starting a new life. The family welcomes the doctor into their home and entrust their young daughter to his care, not knowing that he is one of the most dangerous criminals in the world.

“Having broken away from my illusory self, I was desperately seeking a path and a meaning to life.” This phrase perfectly sums up Alejandro Jodorowsky’s biographical project: reconstituting the incredible adventure of his life. Alejandro Jodorowsky was born in 1929 in Tocopilla, a coastal town on edge of the Chilean desert, where this film was shot. It was there where he discovered the fundamentals of reality, as he underwent an unhappy and alienated childhood as part of an uprooted family.

Nacho, a 13 year old boy, crosses the threshold of adolescence trying to find his place in life in all the wrong places: a dysfunctional family and a social setting that is corrupt and violent. Can the purity of first love survive the darkest aspects of our society?

The story of the encounter between a boy and a girl. He confesses that he fell in love with her at first sight, but she does not believe him. However, as they walk through the night in Madrid, they share their desires, secrets, and maybe a few little lies. But soon the film brings us back to the harsh reality of power struggles, psychological games and conflicts between the sexes. Stockholm thus offers an incredible reading of the relations between young people today.

Julian (Álex González) and his friend Luis (Miguel Angel Silvestre) are two neighborhood boys who are part of a gang of violent neo-Nazis, led by Solis (Javier Bardem). After start training in a gym, Julian is transformed gradually thanks to the discipline of boxing, the nobility of his coach (Carlos Bardem) and the love of a young latin girl (Judith Diakhate). All of this takes away from the group, but Luis is not ready to accept that leave the "herd".

Rachel is an intelligent, modern-day woman constantly on the move. Primarily focused on her career as a diplomatic consul for the U.S. embassy, she's literally lived her life on the move, globe-trotting from city to city. Currently working in Mexico City and set to leave for London, Rachel's world turns upside down on the eve of her own goodbye party when she gets drunk and passes out on the street. Saved by Alejandro, a handsome Mariachi singer and single father, Rachel wakes up in his apartment with no recollection of how she got there. Nor does she remember that she rejected his visa the day before, which he desperately needs for his daughter. Romance unexpectedly blossoms between the two, but either sparks or fists will fly after she finds out his secret.

Cano, an obsessed man, comes back to the summer house where his girlfriend Sara disappeared, to recreate the last week they spent together.

Marta's case is particularly significant because it breaks many stereotypes about gender violence. For one she never suffered physical abuse before the attempted murder and she does not come from modest or marginal family. As she says: 'There is no profile for battered women and it can touch anyone.' She also is a strong woman and a fighter who is not afraid to criticize the ineffectiveness of institutions. For me as a man was also very important to approach the male and try to find out what happens inside a violent man and what leads him to violence. In this sense i found the work of the therapist Harald Burgauner, who is one of the most prestigious specialists in Austria, of particular interest.

In the eyes of a foreigner practically any street of Mexico City’s Centro Histórico holds potential for a film. Life on the street deserves more than just the natural condition of observer anyone could have, it demands an extra attention. In a 100-meter radius, the sociological exuberance of the events going on is simply impossible to ignore. The street is a mise en scène in itself.

Spain, 1966. An English teacher who travels to Almería when he hears that John Lennon is making a film there befriends with a 16-year-old boy who has run away from home and a young girl who also seems to be running away from something.

Erasmo Chambi is a Bolivian immigrant who survives on the outskirts of Buenos Aires, giving wrestling shows at local clubs. In his home country, he was a legendary wrestler: there were trading cards, posters and action figures of his character, El Ciclón (The Cyclone), which today are only relics in a forgotten drawer. Nowadays he trains his son to be his successor.

A series of auditions is taking place in a museum-like living room. Various men improvise or deliver prepared lines, rehearse gestures and slogans, aim guns, and collapse as if mortally wounded. The theme of revolution is repeatedly invoked. In between, there are scenes of a desert landscape. Three men seeking to join the Mexican Revolution at the beginning of the last century have lost their way. Conflicts smolder among them, water is running low, and mutual mistrust is beginning to take hold. Placing the reenactment of a possible historical event alongside the preparations for it serves to underline the theatricality of every cinematic account of history. Moreover, on a kind of playful meta-meta-level, the scenes in which the actors feel their way through set pieces from a Beatles song or standard battle slogans allow the viewer to witness the simultaneous construction and deconstruction of a collective myth of revolution.