A scientist uses his invention - the "Menger Sponge" - to capture the energy of a dead child's spirit in an old building. In trying to determine why the energy of the ghost does not dissipate, the team discovers the identity and the dramatic story of the boy.

A big city girl, Gu Xiaolin, visits a remote village in Poyang to find her ex-boyfriend, the son of dedicated rural teacher Miss Liu. It turns out she stopped teaching some time ago because her son passed away in an accident. The village head asks Gu to be a substitute teacher so that the very primitive village school can satisfy provincial requirements by having at least one teacher. Taking up teaching as a temporary job, Gu Xiaolin begins to understand her deceased boyfriend's sense of mission in working at this backward village.

A 2006 Singaporean film and the sequel to the 2002 film, I Not Stupid. A satirical comedy, I Not Stupid Too portrays the lives, struggles and adventures of three Singaporean youths - 15-year-old Tom, his 8-year-old brother Jerry and their 15-year-old friend Chengcai - who have a strained relationship with their parents. The film explores the issue of poor parent-child communication.

Huo Yuan Jia became the most famous martial arts fighter in all of China at the turn of the 20th Century. Huo faced personal tragedy but ultimately fought his way out of darkness, defining the true spirit of martial arts and also inspiring his nation. The son of a great fighter who didn't wish for his child to follow in his footsteps, Huo resolves to teach himself how to fight - and win.

Three high school students experience the perks and pitfalls of love in director Leste Chen’s sensitive tale of friendship and yearning.

In 370 B.C, China was separated as seven nations and several other small tribes, one of these being the city state of Liang. The nation of Zhao is led by the terrifying Xiang Yangzhong who orders his troops to conquer the small city. Leaping to the defense of the people of Liang is 'Ge Li' from the Mo-Tsu tribe, their last hope from the terrors of Yangzhong's troops.

In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.

An orphaned girl, driven by poverty at such a young age, makes a promise with an enchantress. In return for beauty and the admiration of every man, she will never be with the man she loves. This spell cannot be broken unless the impossible happens: snow falling in spring and the dead coming back to life. Now a grown and beautiful princess, she regrets her promise, for all of the men she's loved has always been met with tragedy.

When a fellow scientist asks for Jack's help in locating the mausoleum of China's first emperor, the past collides violently with the present as Jack discovers his amazing visions are based in fact.

Takada, a Japanese fisherman has been estranged from his son for many years, but when the son is diagnosed with terminal cancer his daughter-in-law, Rie, summons him to the hospital. Through a series of obstacles and relationships, he is brought unexpectedly closer to both an understanding of himself and of his son.

A person's life is destined to be shorter than that of a city. Having spent her whole life in Shanghai, Qiyao has her moments of prosperity and her fair share of loneliness. She finally fades and disappears but Shanghai remains a metropolitan city. Shanghai in the 1930s is glamorous and seductive.

At Beijing World Park, a bizarre cross-pollination of Las Vegas and Epcot Center where visitors can interact with famous international monuments without ever leaving the city’s suburbs, a security guard betrays his dancer girlfriend by pursuing another woman.

In this swordfighting comedy, a young noblewoman falls in love with a prince of the Imperial House. By accident, she acquires the martial arts skills of the White Dragon. New in her power, she learns that there are definite advantages in performing "good deeds" as the Little White Dragon.

A moving true story about volunteers protecting antelope against poachers in the severe mountains of Tibet.

Zhao Liang’s City Scene shows a poetic portrait of China’s contemporary metropolises.

A con-team couple head west after taking a city businessman for his BMW. But an encounter with a naive young carpenter traveling home with his life savings challenges their fate as thieves.

Women enter and exit a science fiction author's life over the course of a few years after the author loses the woman he considers his one true love.

A Chinese emissary is sent to the Gobi desert to execute a renegade soldier. When a caravan transporting a Buddhist monk and a valuable treasure is threatened by thieves, however, the two warriors might unite to protect the travelers.

A condensed version of the 28-episode martial arts TV show. Martial arts star Wu Jing is The Master of Tai Chi! Long before he found fame on the big screen with blockbusters like Invisible Target and SPL, Wu Jing made his beginning steps into the entertainment industry with this period drama. Co-directed by renowned filmmaker and action choreographer Yuen Woo Ping, the 1997 drama The Master of Tai Chi is Wu Jing's first television drama, marking the start of this humble martial artist's star-making journey. Appropriately enough, The Master of Taichi is also the story of a journeyman, following the protagonist's transformation from willful kung fu novice to respected tai chi master.

On a dark and rainy night, a historic and regal Taipei cinema sees its final film: 1967 martial arts feature "Dragon Inn".

China, the early 1930's: martial arts master Wen Biao discovers that his brother has been using their security company for illegal activities. A confrontation between the brothers leaves Web Biao missing and presumed dead.

Zhou Yu, a ceramic artisan in China's rural Northwest, has a deep rapport with Chen Qing, a shy sensitive poet. Taking a long train ride every weekend just to make mad passionate love with him, her longing seems insatiable. Until one day, she meets the hedonistic vet Zhang Qiang and begins a torrid affair, which takes her to another train station, and another level of lust. Driven by the locomotive of love and desire, she hustles through a dark tunnel of no return.

Richly illustrated with film clips and interviews, OUR TIME, OUR STORY tells the still-evolving story of the Taiwanese "new wave," from its rise in the early 1980s, as the island was democratizing after decades under martial law, through growing international recognition and domestic debate in the 1990s. Spearheaded in its early years by such filmmakers as Edward Yang, Ko I-cheng, Hou Hsiao-hsien and Wan Jen, the movement revitalized Taiwan cinema through low-budget experiments that emphasized personal stories, political reflection and stylistic invention. Said filmmakers, writers and actors like Wu Nien-jen and Sylvia Chang, even "second wave" directors Tsai Ming-liang and Lin Cheng-sheng provide fond reminiscences and retrospective insights in this compelling account of one of the most distinctive national cinemas of the last quarter-century.

During China's Warring States period, a district prefect arrives at the palace of Qin Shi Huang, claiming to have killed the three assassins who had made an attempt on the king's life three years ago.