Images and poems of the celebrated couple Louis Aragon and Elsa Triolet. Elsa’s youth as recalled by Aragon, with commentary by Elsa.

Following an introduction by Bing Crosby, the Cinerama screen widens for scenes of landscapes, cities, peoples, and entertainments of the Soviet Union. Highlights include the historic buildings and churches of Moscow, as the Kremlin; its subway and streets, a spring carnival, the seaside resorts on the Black Sea, a trip down the Volga River, skiers, a troika racing along a snow-covered road, a helicopter view of the North Pole, an Antarctic whale hunt, the capture of a wild boar in the Moyun-Kum of Central Asia, a race by reindeer-drawn sleds, divers in the Sea of Okhotsk, battling an octopus, the capture of antelopes, rafting logs down the Tisza River, and the development of new towns in Siberia. Other scenes include a visit to the Moscow Circus, where the renowned clown Oleg Popov performs, the dancing of the Moiseyev and Piatnitsky companies, and excerpts from the repertoire of the Bolshoi Theater Ballet.

A ship of athletes training on the rough seas becomes a symbol of Castro’s Cuba, the games projected on the backdrop of political struggle. This is the story of a ship and of a sports delegation whom the enemy tried to stop from participating in the Tenth Central American and Caribbean Games.

"I was visiting Jerome Hill. Jerome loved France, especially Provence. He spent all his summers in Cassis. My window overlooked the sea. I sat in my little room, reading or writing, and looked at the sea. I decided to place my Bolex exactly at the angle of light as what Signac saw from his studio which was just behind where I was staying, and film the view from morning till after sunset, frame by frame. One day of the Cassis port filmed in one shot." -JM

Eric Rohmer directs this short documentary that narrates the presence of women in French universities as of the time of its release -- 1966. During the film's short run, the narrator continues to point out that during the advent of World War II, only 21,000 women attended college and made only a 30 % of the student body, a number that by the 1964-1965 school year had passed the 120,000 mark. Instead of opting to live according to what was expected of them, now they were joining the work force, trading in aprons for lab jackets and becoming professionals even after getting married.

This impressionistic portrait of the 1964 Tokyo Summer Olympics pays as much attention to the crowds and workers as it does to the actual competitive events. Highlights include an epic pole-vaulting match between West Germany and America, and the final marathon race through Tokyo's streets. Two athletes are highlighted: Ethiopian marathon runner Abebe Bikila, who receives his second gold medal, and runner Ahamed Isa from Chad, representing a country younger than he is.

Two old men enter an abandoned synagogue, look at the decay around them, and pray.

This insightful documentary features some of the major and most beautiful actresses to grace the silver screen. It shows how the movie industry changed its depiction of sex and actresses' portrayal of sex from the silent movie era to the present. Classic scenes are shown from the silent movie 'True Heart Susie,' starring Lillian Gish, to 'Love Me Tonight' (1932), blending sex and sophistication, starring Jeanette MacDonald (pre-Nelson Eddy), and to Elizabeth Taylor in 'A Place in the Sun' (1951), plus much , much more.

Live performances by some of the top rock-and-roll acts of the mid 60s. Includes Ray Charles, The Byrds, Joan Baez, Ike and Tina Turner, Donovan, The Lovin' Spoonful, and several more.

Using morgue photos, newsreel footage, and a recording by Lena Horne, Cuban filmmaker Santiago Alvarez fired off 'Now!', one of the most powerful bursts of propaganda rendered in the 1960s.

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a short subject that now enjoys a small cult following. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and the occasionally combative creative process behind the scenes. An intimate look at one of cinema’s most enduring legends.

Always On Sunday is a bio-pic on Le (Henri) Douanier Rousseau, a French naive painter.

Hailed by one music reviewer as "the grooviest, wildest, slickest hit ever to pound the screen," "The T.A.M.I. Show" is an unrelenting rock spectacular starring some of the greatest pop performers of the 60s. These top recording idols – representing the musical moods of London, Liverpool, Hollywood and Detroit – packed the Santa Monica Civic Auditorium with 2,600 screaming fans and virtually brought down the house. This is the cinematic record of that electrifying event.

The simple actions of a young boy on the beach provide visual metaphors for the normally unseen world. The camera adds a profound dimension to what the boy has seen, giving us a deeper understanding of visual awareness.

A biography of Winston Churchill, shown through re-creations and actual film footage and told by Orson Welles.

A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.

Nadja is a guest student, who stays at Cité Universitaire and visits the Sorbonne, while preparing a thesis on Proust; she also likes to stroll about Paris.

The traditional struggle, known as Lamb in Wolof, which recalls the Greco-Roman struggle, is a popular national sport in Senegal. It has special rules and very strict. Every spectator can bet on his favorite wrestler in a festive atmosphere. The Dakar Arena serves as a showcase for the battles in the film.

A sophisticated and beautifully constructed account of landscape change in and around Paris in the early 1960s. The film raises complex issues about the meaning and experience of modern landscapes and the enigmatic characteristics of features such as canals, pylons and deserted factories. Rohmer also explores the role of landscape within different traditions of modern art and design and refers to specific architects, artists and engineers.

The official sequel to the original shockumentary, presenting new and bizarre behavior from around the world, including cruelty, graphic gore, and strange rituals.

In 1963, 22-year-old Bertrand Blier invited 11 of his peers to come to a film studio and talk about their lives. The record of what was said is a discussion of values that remains relevant and fascinating today. The footage was shot just five years prior to May 1968, and the atmosphere of that time is clearly discernible: these young people may not yet be revolutionaries, but there is clearly a ferment in the air.

A documentary highlighting some of the oddest, strangest and more grotesque examples of human behavior. Included are a tour of the Grand Guignol theater in Paris, a man who sticks long needles through his body, reindeer being castrated, and footage of lesbians and strippers.

The film's title is borrowed from a Dani fable that Gardner recounts in voice-over. The Dani people, whom Gardner identifies mysteriously as "a mountain people," believe that there was once a great race between a bird and a snake, which was to determine the lives of human beings. Should men shed their skins and live forever like snakes, or die like birds? The bird won the race, dictating that man must die. The film's plot revolves around two characters, Weyak and Pua. Weyak is a warrior who guards the frontier between the land of his tribe and that of the neighboring tribe. Pua is a young boy whom Gardner depicts as weak and inept.